Mixing light temps can be a bit tricky, especially for your camera. But this foray into a four-light-source set-up worked out well (fluorescent overheads, sunlight through tinted windows, hot lights behind the subject, and one studio flash). We got a bunch of good ones of Erin, talented artist and all-around-good-intern, but this shot was my fave -- the result of not even looking through the viewfinder.
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